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Moon Filter


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After nearly being blinded the other night whilst looking at the moon. I now require a moon filter in 2" for my CPC800.
 
I've been looking at these two:
 
 
 
Please advise on which you would sooner have to reduce the glare of the moon.
Thanks
my CPC800(2") that will reduce the glare of the moon.
 
Can you advise please.
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You won't be able to get much good detail out of the Moon during, or near, totality. Best to wait until there is a sharp division between the lit-unlit sections of the Moon. This line of demarcation between light & dark is known as the 'Terminator.' Along this Terminator we can see, with our scopes and binoculars, the most fascinating play of ever-changing terrain dancing in the shadows. And filters can heighten these inspiring vistas further still!

A variable-polarizing filter (2-piece) are an excellent choice. Others find a neutral-density filter sufficient. Or you can go further tech and look into such as a Baader Moon & Skyglow Neodymium-Filter, which has many other applications as well:

https://www.firstlightoptics.com/light-pollution-reduction/baader-neodymium-filter.html

Have fun!

Dave

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22 minutes ago, laudropb said:

I would go for the polarising filter. It will enable you to adjust the brightness to suit.

Can you explain how this variable one works please? (keep it simple as I'm a newbie!!)

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I've been getting along okay with the Baader Neutral Density Filter. I didn't like it at first as it seemed to dim the moon too much, the Neodymium did a better job of maintaining a bit of the brightness without being blinding. This idea fell flat on its face when I tried to read a moon map at the same time, I was still a bit blinded for a few moments with the Neodymium but could flick between eyepiece and map without any delay with the Neutral Density.

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I bought a used Baader Moon & Skyglow Neodymium Filter and used it for the first time two days ago.

All I can say is "Wow", why didn't I buy one ages ago.

It made looking at a bright moon so much more comfortable as well as cutting the light pollution into the bargain.

 

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Hi Pete, they are just two (polarising) lenses that screw together, turn them one way or the other and the view darkens or lightens as you desire, can be a bit of a pain getting them just right, which is why I prefer the fixed density - you know what you are getting every time.  I would suggest a 25% density for camera work but 13% for visual.  But as otheres say, with the variable you get to chose.

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