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ollypenrice

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Everything posted by ollypenrice

  1. I don't know if I'm a serious imager or not but I do share Vlaiv's point of view and have found no significant difference in resolution between 0.6 and 0.9"PP. In the end I went for the 0.9 option (TEC 140/Atik 460 mono.) Indeed, I wrote a feature article saying as much for the British magazine Astronomy Now. I was half expecting a good deal of comeback from it but there was none and, I must say, many of my imaging guests do feel as I do. Arch enthusiast of all things technological, the late Per Frejvall was persuaded by my TEC 140 and bought one himself. It's still here in other hands. If you do find more real resolution from 0.6"PP then you do. I looked at my data carefully and concluded that I didn't. We can both be right. Careful! I don't think anyone's picked up on this but, to realize the resolution of 0.5"PP your guiding RMS needs to half that. (This is a rule of thumb but good enough for government work...) You are very unlikely to reach a guide RMS of 0.25". I can get about 0.33 out of my Mesu 200. Olly
  2. It's a really great image, we can agree. Now let's ask what's great about it. The resolution of small scale detail? No, that is unremarkable. Plenty of M51s have that resolution, or even better, but it is representative of what I regard as roughly 'what you'll get' out of an amateur system, seeing-limited. What is remarkable, very remarkable, is the depth of signal on the faint stuff. The outer halo shows modelling and structure which I have never seen before and the Ha feature just beside the pair is also new to me. These don't require high resolution. Indeed, this image supports the thrust of my argument perfectly: as amateurs we can bang our heads on a wall in search of scarcely perceptible improvements in resolution or we can go for what matters, what will really allow us to show something new, and go for depth of signal. The headline of this image is 225 hours. Exactly, and it shows. It doesn't show in resolution, it shows in depth. Space telescopes are not primarily, or even significantly, created for making pictures. Their use is primarily spectroscopic. Amateur scopes are for whatever the amateur wants to do with them. Hubble and James Web could not/cannot take widefield images but amateurs can. There are PNs out there, still being discovered by amateurs but new insights into the night sky, in the amateur domain come, as it seems to me, from images which combine depth with breadth of field. Olly Edit: Ironically you have brought Adrian and me into agreement!
  3. I'll become really interested when I'm shown an amateur image of M51 which is significantly better than those shot at around an arcsecond per pixel. I don't want to be shown calculations and measurements, I want to be shown a picture in which I can see a worthwhile difference. Please do rattle my cage when this image is available! Olly
  4. You could copy the passband graphs for both and put one above the other to see which wavelengths get through both. Olly
  5. I meant 'host permanently.' One of the four I host permanently has never gone wrong and one I host permanently has been back twice. I didn't say that every 10M I host permanently has been back... Naturally, I'm delighted that yours has been so good but, on my sample, I would have to stay with Mesu myself. Olly
  6. I host or have hosted four 10 Microns and five Mesus. Returns to manufacturer stand at 10 Micron four, Mesu zero. I'm hardly likely to want to change... Olly
  7. Possible dew - or ice - on the chip window. The source must be fairly close the the chip since an obstruction at the front of the tube would be blurred out of visibility, as is a secondary mirror, for instance. Olly
  8. Well, as I said earlier, I've shot the same targets at 0.6"PP and at 0.9"PP, the former with a far higher theoretical resolution (350mm aperture versus 140mm) but I could find no significant or consistent difference in real detail captured. I think we are, quite simply, seeing-limited and that shooting at less than an arcsecond per pixel is a waste of time. Olly
  9. Oooh, not so sure. Our astronomical theories are created by brains which have gone through an evolutionary process. Olly
  10. Well, this is one definition of under sampling but it isn't a definition that's going to get me worked up into a tizzy. This image looks, to me, very much like images of M51 which I've shot at 0.6"PP and 0.9"PP. I remember very clearly Valiv doing the same test on my data that he performed on yours, and I was convinced. You have captured what most competent imagers will capture at non-Atacama/mountaintop observing sites. You are not, in any meaningful sense, undersampled. That's to say, if you reduced your arcsecs per pixel you would gain no new detail that anyone would be able to see. That's my definition of over/under sampling. Definitions which don't involve what you can see are, for me, so much waffle. While all this chatter is going on, what really matters in amateur astrophography is being missed, and that is going deeper. What I've discovered since moving to super-fast systems is that going deeper is a darned sight more interesting than trying to go for more resolution. It's not just that you go deeper: you also gain more control over dynamic range in processing. Olly
  11. I'd be delighted to look at a single sub, Adrian. Most of us can see where a single sub will go if backed up by 80 more of the same. But why was it a single sub? If you failed to achieve this resolution on the rest, what does that say about your assertion that anything less than 0.5"PP is under sampled? I spent two years imaging at a little over 0.6"PP and was never, ever, able to present an image at full size. Unfortunately the camera in use refused to bin properly so we had to resample downwards in software. I then started shooting the same kind of targets, and sometimes the same targets, at 0.9"PP and found no consistent difference. Olly
  12. I couldn't care less about the Nyquest theorem (or the Nyquist ), I want to see these images which were undersampled at 0.5"PP! And I couldn't care less about discussions on CN or about FWHM, neither of which I can see when I look at an astrophoto. I want to see an actual image which was undersampled at 0.5"PP because it will be the most detailed image of the object in question that I have ever seen from an amateur system. Post the image and win the argument! Olly
  13. This is a deep sky imaging thread, so not connected with 'lucky imaging.' If you have been under-sampled at 0.47"PP you have some astonishingly detailed images to show us and I'll look at them with interest - not to say astonishment. In the absence of such images I'll have to put this claim down to a triumph of theory over practice. Olly
  14. Please, Dr Becky, you are not an American so you are not talking about alternate theories of gravity, you are talking about an alternative theory of gravity. Olly
  15. The problem is that we want to test assorted models against what seems reasonable to us - but what seems reasonable to us has been defined by very limited, and very local, experiences. The trick is to be willing to embrace what does not seem reasonable to us because, in all probability, that is where the truth will lie. Olly
  16. Interesting. I've encountered the problem of stars not showing well against nebulosity and tackled it by using Colour Select to select the nebulosity and giving that selection a slightly boosted stretch on the star layer. I'll try your method. Olly
  17. Understandable, but don't stray too far from home.... 😁lly
  18. This is my workflow. Do create a Photoshop Action as suggested below. StarXterminator workflow in Photoshop. 1 Stretch standard image as usual to about 50% of final stretch. Simple stretch, nothing detailed. Save as Proc 1. 2 Run star Xterminator and save the starless image as Starless. 3 Continue to process Starless. Cosmetic repair of artifacts, harder stretch, contrast enhancement, noise reduction, sharpening, colour etc. Save. Select and copy. 4 Use Open Recent to re-open Proc 1 and paste Starless as a top layer. 5 Invert both layers. 6 Top layer active, change blend mode to divide. 7 Stamp down. (Alt Ctrl E) 8 Top layer active, Invert. 9 Flatten Image. (I seem to have to do this from the toolbar Layers dropdown because CtrlE doesn’t work.) 10 Save as Stars. 11 Select Copy 12 Paste onto Starless. 13 Blend mode to Screen. Actions 5 to 9 inclusive can be recorded as a single action. The stars can be reduced simply by lowering the mid point in Levels. Small stars can look too hard and can benefit from the simple contrast tool to reduce contrast. Large stars with halo or bloat benefit from an increase in contrast. Other possibilities include Gaussian blur or a reduction in top layer opacity by a tiny amount. Stars which look ‘stuck on’ over nebulosity can be made to settle into the image by means of a dab with the burn tool on the bottom layer, just underneath them. Olly Edit: I posted the above without realising it was you! How goes it?
  19. Something moving/flopping? Mirror. Camera on the corrector plate. Something to do with the cable routing in front of the corrector? It's certainly a new one, which takes some doing. Congratulations!!! 😁lly
  20. Plate solving is great when and if you have it but even a 35 panel can be done by hand, this one by Tom O'Donghue and myself. http://megamosaic.astrophotography.ie/mosaics_page.htm AstroPixelProcessor is the software of choice, at the moment, for constructing mosaics. It is important to use good flats per panel and also to gradient-remove each panel first. Olly
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