MARS1960 Posted July 28, 2016 Share Posted July 28, 2016 I am considering buying a moon filter for my ED80 purely for photographic purposes, What do you consider to be the very best in moon filters? TIA. Link to comment Share on other sites More sharing options...
PeterCPC Posted July 28, 2016 Share Posted July 28, 2016 You don't really need a filter for imaging the Moon. Just get the exposure correct. Peter Link to comment Share on other sites More sharing options...
RT65CB-SWL Posted July 28, 2016 Share Posted July 28, 2016 +1 for Peter's comments above. For visual I use a variable polarising filter. I screw a filter in a star diagonal nosepiece and the other filter into the nosepiece of an eyepiece and rotate to attenuate the incoming photons. Link to comment Share on other sites More sharing options...
MARS1960 Posted July 28, 2016 Author Share Posted July 28, 2016 1 hour ago, PeterCPC said: You don't really need a filter for imaging the Moon. Just get the exposure correct. Peter I don't find it easy getting it right Peter, the bright side always comes out over exposed, or the darker side under exposed depending on settings. I use the exposure compensation meter but that doesn't help, is there a specific setting i should use for exposure metering? Also i have read that a filter gives better definition or is this just sales talk? Thanks. Link to comment Share on other sites More sharing options...
RT65CB-SWL Posted July 28, 2016 Share Posted July 28, 2016 3 hours ago, MARS1960 said: I don't find it easy getting it right Peter, the bright side always comes out over exposed, or the darker side under exposed depending on settings. I use the exposure compensation meter but that doesn't help, is there a specific setting i should use for exposure metering? Also i have read that a filter gives better definition or is this just sales talk? Thanks. Are you using the camera in 'auto' or 'manual' mode? - just thinking that if you are using the 'auto' mode that maybe a cause. I have a digital compact camera and tried the various settings in both modes, one of them being 'spot focus' and I would avoid using that one. Are you taking single photos or multiple photos? - if using multiple photos try running them through Registax or something similar. With regard to your last sentence, I think the '...better definition...' means, when used with the eye not a camera! Just my thoughts. Link to comment Share on other sites More sharing options...
MARS1960 Posted July 28, 2016 Author Share Posted July 28, 2016 1 minute ago, Philip R said: Are you using the camera in 'auto' or 'manual' mode? - just thinking that if you are using the 'auto' mode that maybe a cause. I have a digital compact camera and tried the various settings in both modes, one of them being 'spot focus' and I would avoid using that one. Are you taking single photos or multiple photos? - if using multiple photos try running them through Registax or something similar. With regard to your last sentence, I think the '...better definition...' means, when used with the eye not a camera! Just my thoughts. Thanks Philip, Single shots in manual on a tripod or lucky imaging. Iv'e just this second found my problem on taking a single shot from a Jerry Lodriguss tip. He advises to use spot metering on the centre of the moon, i have been using center weighted average metering. Link to comment Share on other sites More sharing options...
RT65CB-SWL Posted July 29, 2016 Share Posted July 29, 2016 5 hours ago, MARS1960 said: Thanks Philip, Single shots in manual on a tripod or lucky imaging. Iv'e just this second found my problem on taking a single shot from a Jerry Lodriguss tip. He advises to use spot metering on the centre of the moon, i have been using center weighted average metering. Thank you too, Mark. That's good know! (unless my camera does not like 'spot metering')... I will certainly give it another try and see what happens! Link to comment Share on other sites More sharing options...
Louis D Posted July 29, 2016 Share Posted July 29, 2016 7 hours ago, MARS1960 said: He advises to use spot metering on the centre of the moon First, be aware that the meter will try to render the moon as 18% gray rather than nearly white. You'll probably want to try one of two tricks I've used to increase the exposure to brighten the light side and lighten the unlit side. Either try taking a spot reading straddling the terminator line and then recompose the shot after locking in that exposure (hit or miss, depending on how much of each side you get, but your only option on some cameras) or dial in between 1 and 2 extra stops of exposure (+1 to +2) to lighten things up in a more controlled manner. Second, try exposure bracketing in 1/2 stop increments and see which looks best in post production. Some cameras can be set up to do this automatically and quickly for you. Third, remember the sunny 16 rule. The moon is lit like a cloudless noon Earth scene, so at 1/(ISO setting) you'll use f/16 (or f11 to brighten things up since the moon is as dark as asphalt). If you're shooting at prime focus, just use your telescope's f-ratio to work out the necessary shutter speed. For your Evostar's f/7.5 ratio, you'd want a shutter speed around 1/250 to 1/500 second at ISO 100 (being 1 to 2 stops faster than the f/11 to f/16 guideline), depending on how bright your want the moon to appear. I'd suggest going above and below just to get a wide range of data points. Fourth, don't blow out your highlights on a digital camera. Once a highlight clips at 255 on all color channels, all detail is lost. Try to keep the brightest areas just below pure white to preserve detail in them. You can always adjust the brightness levels/curves in post production. On the flipside, it's rare for shadows to block up as completely black in a digital camera. You can almost always dredge detail out of the shadows in post production, so always aim to preserve highlights. Link to comment Share on other sites More sharing options...
PeterCPC Posted July 29, 2016 Share Posted July 29, 2016 Just to add to all the above. If using a Canon you will find that using it with Backyard EOS makes getting the exposure correct a doddle. You can see on your laptop screen what it will be like and you have histogram to refer to. https://www.otelescope.com/index.php?/files/index.php?/category/3-backyardeos/ Peter Link to comment Share on other sites More sharing options...
MARS1960 Posted July 29, 2016 Author Share Posted July 29, 2016 6 hours ago, Louis D said: First, be aware that the meter will try to render the moon as 18% gray rather than nearly white. You'll probably want to try one of two tricks I've used to increase the exposure to brighten the light side and lighten the unlit side. Either try taking a spot reading straddling the terminator line and then recompose the shot after locking in that exposure (hit or miss, depending on how much of each side you get, but your only option on some cameras) or dial in between 1 and 2 extra stops of exposure (+1 to +2) to lighten things up in a more controlled manner. Second, try exposure bracketing in 1/2 stop increments and see which looks best in post production. Some cameras can be set up to do this automatically and quickly for you. Third, remember the sunny 16 rule. The moon is lit like a cloudless noon Earth scene, so at 1/(ISO setting) you'll use f/16 (or f11 to brighten things up since the moon is as dark as asphalt). If you're shooting at prime focus, just use your telescope's f-ratio to work out the necessary shutter speed. For your Evostar's f/7.5 ratio, you'd want a shutter speed around 1/250 to 1/500 second at ISO 100 (being 1 to 2 stops faster than the f/11 to f/16 guideline), depending on how bright your want the moon to appear. I'd suggest going above and below just to get a wide range of data points. Fourth, don't blow out your highlights on a digital camera. Once a highlight clips at 255 on all color channels, all detail is lost. Try to keep the brightest areas just below pure white to preserve detail in them. You can always adjust the brightness levels/curves in post production. On the flipside, it's rare for shadows to block up as completely black in a digital camera. You can almost always dredge detail out of the shadows in post production, so always aim to preserve highlights. Thanks Louise, thats a great help, i have saved all that to refer to another time. Link to comment Share on other sites More sharing options...
MARS1960 Posted July 29, 2016 Author Share Posted July 29, 2016 1 hour ago, PeterCPC said: Just to add to all the above. If using a Canon you will find that using it with Backyard EOS makes getting the exposure correct a doddle. You can see on your laptop screen what it will be like and you have histogram to refer to. https://www.otelescope.com/index.php?/files/index.php?/category/3-backyardeos/ Peter Thanks Peter, i had a trial run with it a few months ago the went laptop free on everything, it maybe a good idea to get a full subscription as it's a great price for what it does. Link to comment Share on other sites More sharing options...
PeterCPC Posted July 29, 2016 Share Posted July 29, 2016 I wouldn't be without it for both planetary and DSO imaging with my Canons although I mainly use Sharpcap for planetary these days using my ASI224. I would go with the classic version first as I think that it will serve you well and you can always upgrade later if you need and as you progress. Peter Link to comment Share on other sites More sharing options...
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