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DirkSteele

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Posts posted by DirkSteele

  1. 1 hour ago, John said:

    Lovely Matthew :icon_biggrin:

    Interesting to see how the design of the 130 F/9.2 has changed from 2006 when mine (snipped photo below) was made until yours in 2018. I believe the objective cell design is just the same from other photos you have posted but the externals have changed more. My scope is the LW version with the Kruppax tube and 2" FT focuser. I can see that you have the 3" (APM ?) focuser and is it an aluminum tube ?.

    Production volumes have been low with, according to Markus, 114 being the total run of completed scopes over the life of the model. A few more of the objectives and cells have been made which I guess is why your serial number is in the 120's ? I believe that many more of the 130mm F/6's were made but they appeal to the imagers more I reckon.

    Hope you get first light with it ASAP :icon_biggrin:

    tmb130sabre01.thumb.JPG.4bdf1075f2c6dcc2acd8ae7401582d58.JPG

    Lens cell 122 for me, which was pick of the bunch in this last run. The serial numbers ran to 123, so assuming no reset of the numbers after it went from LZOS for TMB to LZOS for APM, then that is about 10 a year since the first hit in 2005. Not many! I think the 130 f/6 serial # go up into the 400s though, which really shows how astrophotographery has taken over our hobby since the advent of chips rather than film and auto-guiders.

     

    The focuser is the 3.7” APM model so first scope in my collection without a feathertouch on the back. APM said certainly not needed for visual only.

     

    The tube was all part of the deal to offer these scopes slightly cheaper than the old prices so it was made to spec by Long Peng I believe. It is aluminium. I like kruppax as it is really dew resistant. I think on the invoice breakdown the tube and focuser was around £1,600. Lens was close to £4,000.

    • Like 1
  2. Still have not managed first light yet as real life commitments have gotten in the way, but just testing out balance in my basement the other day for my new APM LZOS 130mm f/9 triplet. 

    BD3B9795-BDB4-4DCB-A3FD-51AA22631A46.thumb.jpeg.e72b0716115da67c9ae858047bb554b1.jpeg

    I hope it will see its first starlight in September. So if we suddenly suffer from monsoons and hurricanes next month, you know why!

    • Like 11
  3. Technically it was Rupert from Astrograph but he played postman. He delivered my new APM LZOS 130mm f/9 triplet.

    EF84BEB0-C275-45F0-AA71-272C784B9AEC.thumb.jpeg.1bc5425c4244f2ab4af433803353847e.jpeg

     

    And soon an actual postman will be bringing a new scope and mount to review for Astronomy Now. Always exciting to have a new scope in the house. It will be two at the same time.

    • Like 5
  4. I needed an additional 5kg class counterweight for my Tele Optic Ercole Giro Alt Az Mount. It seems to have a standard diameter counterweight bar but I wanted to ensure the central bore hole in the weight was the appropriate size. I emailed my question to FLO and Grant responded quite quickly with a very precise measurement. Rather helpful for anyone else in the future, that information was added to the description of the counterweight.

     

    I placed my order the next day and it arrived the following. And it is a perfect fit.

     

    Helpful and simple transaction.

    • Like 1
  5. 40 minutes ago, John said:

    Also some notes of thoughts from Thomas Back on his LZOS projects with quite a bit on the 130mm F/9 triplet:

    tmbFAQ-2.pdf

    That whole TMB FAQ is an incredibly interesting read.  His passing away at only 50 really was a loss to the astronomical community.

    As for the 130mm f/9, some of the comments certainly mean you and I are very fortunate to own such a remarkable scope.  I just need my first light...

    “Thanks for the spot diagram. I see there are 4 perfect color crossings and color #5 is extremely close to this crossing, therefore is this lens design a ‘super apochromat’?

    Well, the official designation for a four color crossing, highly corrected lens, is a Super-Achromat. Five crossings is called a HyperAchromat. Now it might not sound so great to have achromat in the definition, instead of apochromat, but what matters is the performance, not the words that define it. The only other lens that I know that reached Super-Achromatic performance was the APOMAX, but the fourth crossing was well into the near infrared (passed 1000nm), so it didn't really have any visual impact on the performance.”

    ….

    “I want to add that the TMB 130mm f/9 nearly meets the Baker SuperApochromat criteria. It is better that 1/10 P-V wavefront from 450nm to 706nm, very close to achieving what is considered the Gold standard or ultimate lens design. I believe this will be the highest corrected lens of it aperture ever put into production.”

    Speaking of being a lucky chap, I know you have already shared many pics on other threads, but how about a nice photo of your 130mm for this thread?

    • Like 2
  6. The APM TMB 105 f/6.2.  Purchased in 2012 (but made in 2006, Marcos at APM had it sitting in inventory for a long time so offered me a small discount) so I could start taking scopes abroad (in the aircraft cabin). Lens cell 407.  Thanks to a sliding drawtube, the scope shrinks down to only about 19” long so it is very transportable, if a bit heavy at just over 6kg.

    APM-Side-On-View-resize.jpg.90a4b41c07bbd81534577dc08ee4a3e0.jpg

    Lens-View-with-flash.jpg.e5afdfeaa53e901237db60456bd62f65.jpg

    This one is from the desert in Oman.

    APM-105-at-Sunrise.jpg.0b765f5badc57df9c79f5efd4b63f230.jpg

    IMG_4600.thumb.jpg.2e0ed753b37c47c9af197a6c3f39e3f5.jpg

    • Like 9
  7. I am not a member of CloudyNights (perhaps I should consider it, as there are a lot of knowledgeable members, though it can get a bit emotional sometimes…) but I do find that threads sometimes appear in Google searches I run.  I recently came across a thread which I am going to borrow as I thought it was a great idea, “Show us your LZOS scope.”

     

    For those who do not know, LZOS (Lytkarino Zavod Optychisovo Sticklo – translates as Lytkarino Optical Glass Works is based in Lytkarino in Russia), was founded in the Soviet-era to manufacture high end optics for military and research use, and also operated as a Zeiss subcontractor.  In the late 90’s / early 2000s, a tie-up between TMB in the US and APM in Germany allowed the skill of their opticians to be experienced by the amateur astronomy community.

     

    Unlike virtually all other telescope companies, LZOS manufacture the optical glass used in their telescope lenses as well as fabricating the lens cells.  LZOS produce their own extra-low dispersion glass, OK-4, which has very similar optical properties as the well-known O’Hara produced FPL-53, though they are able to produce blanks in far larger sizes which allows LZOS to offer triplet refractors of up to 20” diameter.  I would love to have a go with one of those!

     

    The late Thomas M Back (sadly passing away aged only 50 in 2007) had a lifelong passion for amateur astronomy and a particular interest in optics which saw him become a prolific designer of telescope optics and eyepieces.  He started the TMB Optical business selling high-end refractors of his design, sourcing lenses made to his design and specification by LZOS in Russia, optical tubes from APM in Germany and focusers from Starlight Instruments in the US.

     

    APM have been in business since 1990 offering a range of reflecting and refracting scopes including large research grade instruments to a variety of observatories around the world.  They became the exclusive world-wide agent for LZOS made TMB designed lenses in 1998.  After Thomas Back suddenly passed away, APM retained the rights to his designs and continued to offer them in APM branded scopes.

     

    APM and TMB scopes are not the only brands to have featured LZOS made lenses over the years.  I know that some have appeared in Stellarvue, Officina Stellare, William Optics and possibly more besides.

     

    I have also been left wondering about the serial numbers, and the fact there may be more of certain models out in the wild under the stars than the serial numbers might suggest.  When the lenses first rolled out of Russia, the lens cell would often state “Made for T.M.B” or “TMB Design” or similar but I have also seen in older scopes (if I recall correctly), Fluorstar, and more recently, “LZOS Made” “LZOS for APM” and perhaps some other variations as well.  Given some serial numbers I have seen compared to those on my own scopes and comparing year of manufacture, had led to believe that some serial numbers may have “reset” when the inscription on the lens cell changed.  In particular, I am sure I have seen an 180mm LZOS lens with a higher serial number than mine, but produced many years earlier.

     

    So, if you are lucky enough to have one (or have had one and still have photos), why not share them here. Just like the Cloudynights thread, include your interferometry certificate if you have it.

     

    We could probably start a whole active thread about the usefulness of those certificates, with some suggesting they tell you little and are a bit of marketing.  I take a slightly more pragmatic approach.  While it is true that a mono-chromatic strehl measurement tells you only a little about an optic (an achromat could have a high mono-strehl), my view is that if the strehl is high in the measured wavelength (532nm for LZOS), it means the optical figure is smooth and given the skill and reputation of the LZOS opticians, a decent degree of confidence can be taken that the optic has been manufactured close to its design parameters which means its poly-strehl should be good (within the confines of the original design limitation of course).  For example, the 130mm f/9 triplet Apo, has a design poly-strehl of 0.984, which means that a perfectly executed example, when focused on a central wavelength, would measure a strehl ratio of at least that value across the visible spectrum.

     

    Enough with the history lesson.

     

    So, to get the ball rolling, here is my APM LZOS 180mm f/7 triplet Apo.  Lens cell number 22.  It has featured in an episode of The Sky at Night.  I am 180cm (5’ 11”) tall for reference.  Certificate below:

    605.thumb.JPG.dfe1fdc018ed387a741f196a37af023a.JPG

    1666174070_ChrisNorthGoinginforaLookcrop.thumb.jpg.5907721c854c227819492275d1c9f255.jpg

    IMG_1291.thumb.JPG.3195c8747f3fa8503ca5c3b9b46ec4e0.JPG

    IMG_4598.thumb.jpg.8e3f4bb5274edbf4020bc29878031137.jpg

    • Like 14
  8. I could not resist the offer that came via an Astrograph email back in February.  A new APM LZOS 130mm f/9.24 triplet apo, a scope I have wanted for years.  I placed my order in March and paid the deposit to secure the lens of my choice.  At the same time I also ordered a Lozmandy style clamp for my Tele Optic Ercole Alt Az mount.  Rupert kept me updated on the progress of the manufacturing of the optical tube.  In early July, everything was ready so I paid the balance of the purchase price.  A week later, on a day of my choosing, Rupert personally delivered the scope to my door, having checked over everything including the collimation of the lens, not that I think it would have budged based on the the quality of the flight case and packaging.  He also delivered the clamp at the same time.  A very good service, and given some of the reported shipping knocks we have seen recently, rather pleased to have it delivered by someone who cares about what is inside the box.

    • Like 1
  9. 12 minutes ago, JeremyS said:

    Another coincidence is that I was in Euston Station yesterday and picked this month's Astronomy Now mag only to find a pic of the FC76 DCU in the front cover and a fine review by Matthew @DirkSteele inside. I was especially interested to read about his impression of the GRS through the scope, which is exactly as I had found a couple of days ago.

     

     

    Thanks! Did not know it was going to be on the cover so was quite a surprise when it arrived on my doormat.

    • Like 1
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