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Hi there! I’m looking forward towards purchasing a new wide FOV eyepiece from FLO (first light Optics ) and I do to know which one to pick!
i will be using it on my f/6 8” Skywatcher dob and hoping to get good views of the Orion’s nebula , (large nebulae in general) andromeda and others.
I ve heard the panaview 32mm is a good choice but I d like to know about the other options as well. I would like the budget to be around 100€
Clear skies, Kronos.
Hey guys! Its been 8 months since i ve started the hobby of astronomy.I would like to dig deeper now,i am looking for a book in astrophysics that involves mostly formulas and mathematics.With so many books in the market its hard to defferentiate science books from just books with information about the subject
I have just joined and have been looking around, and putting in various searches to find the answer to my question(s).
I have already found some valuable information, but i can't find a specific answer to a question i have relating to exposure times.
I have shot the milky way several times before, from a tripod and a wide angle lens. I am aware of and understand the "500 rule" and that worked fine for me at first when i was shooting with my Canon 6D Mark II. When i moved over to the Sony A7III i noticed significant trailing using the same rule and that led me to the NPF rule (Via the photopills app incase people dot know).
I am heading back to Tenerife once again in about 6 weeks time and want to buy a star tracker so i can get some really detailed images.
I have done a fair bit of research and in principle, the whole thing doesn't seem to be too daunting or difficult.
I have purchased the Polar Scope Align Pro app so i can align Polaris as accurately as possible, i will practise putting the unit together and familiarising myself with the different parts etc, but it is the exposure times that i do not understand.
My best glass is the Carl Ziess 50mm F/1.4 Planar, the 18mm F/2.8 Batis, the Sigma 35mm F/1.4 Art & the IRIX 15mm F/2.4 Blackstone.
I currently do not own, nor have i ever used a tracker, and I cannot find any information relating to which aperture, ISO and Shutter length any of these focal lengths should or could be shot at.
Is there anything similar to the 500 rule or NPF rule that relates to using a tracker with varied focal lengths? or is it just a case of stepping the lens down for sharpness and then trial and error?
Thanks in advance,
Hi, this question has probably been done to death here, but can I ask the community to help me decide on a new camera?
After struggling with my very glitchy QHY5LIIc camera for a while, as well as having a forced break from astronomy, I have decided to get a new camera. After all the problems I've been having with the QHY, I really don't want to use this manufacturer again. I know lots of people use them quite happily, but once bitten ...
I have been looking at the ZWO cameras - OSC, as I haven't the time, clear skies, or patients to do LRGB imaging!
I have about £250 to spend, which I may be able to push to £300 if I wait a bit. ? So I've been looking at the ASI224MC, ASI290MC and the ASI178MC cameras.
I mainly do planetary/Luna imaging, but I have also dabbled in a bit of DSO and would like to continue with both. I have a C9.25 and a ST80 guide scope. I know these aren't ideal for DSOs but please humour me!
I think from the specs/information that the 224 is probably the best option. Although the resolution and QE are the worst of the three, the well depth and read noise are the best and the fps is pretty good too.
I don't know if there are better/cheaper cameras using the same chips, such as Altair's range. I just don't want to make the same mistake that I did with the QHY!n
Any help/advice you can give will be much appreciated.?
This is maybe my 3rd attempt at a galaxy and I am trying to figure out the best way of doing it since I live in a red zone of London suburbs.
I took this over 2 nights (well, 1.5 really, as my guiding wasn't working and plate solver wouldn't comply after meridian flip...) with my 8" EdgeHD SCT with 0.7x reducer and Atik 490X. Around 20 Luminance subs at 10 mins each (1x1) and around 15 RGB subs at 5 mins each, but binned 2x2. I use Astrodon filters but also have an LP filter permanently in my image train.
Question: should I only use RGB and create a synthetic L channel, given LP, or continue trying with the actual luminance? Gradients are horrible with luminance but RGB doesn't have as much detail (only red filter seems to be more sensitive).
My stars are all over the place (colours pop out everywhere, in the wrong way), how can I control this better?
Also, as I wrote, the red filter seems to have much more detail than the rest and when I add all the channels into PS, the red colour just overpowers everything (and in general, how can I keep the star colours as they are and not have the red and blue go crazy - I am not sure the name for it, but it looks like chromatic aberration on steroids).
Any other general tips would be great...
Thank in advance. GFA
PS: I cheated with the core: just changed the temperature to make it look a bit more glowy; for some reason, I barely had any yellow colour from the data...I will post stacked images, if of interest.