Recently Browsing 0 members
No registered users viewing this page.
I currently have a ZWO 178MC OSC planetary camera. Everybody tells me that I need to get a mono chrome camera for solar imaging. I have narrowed it down to two cameras the ZWO ASI178MM or the ASI174MM. The ASI174MM is quite a bit more expensive and I am not sure why?
I have a Lunt 60MM HA f/7 Solar scope and looking for recommendations.
I'm posting in the hope it helps anyone else considering a Daystar Scout SS60. The video's not quite representative of what one sees looking through the scope, but gives a general idea of field of view through a 24mm EP. When observing, much more prominence detail and surface texture is visible to the eye and the colour feels less red than it appears in the vid.
I'd have taken this video sooner if I'd realised that afocal video would work so well, so I'll try again next time the sun's available earlier in the day during better seeing. The video's taken by holding an iPhone against an Explore Scientific 24mm eyepiece and adjusting exposure (i.e. afocal video photography). Although I find a Plossl as easy (if not easier) to use as a wide EP for observing, it's simpler to align a smartphone with an eyepiece that has a wider field of view, for afocal video. Hence I used a 24mm ExSc (see below for detail). It seems a fairly quiet solar day, not long after the notoriously quiet 2020 and I believe is still close to the beginning of the sun's new 11 year cycle (hopefully it will become more exciting soon but not as exciting as having any Carrington Events pointing towards us).
I spent some hours, from late morning, watching these prominences form, dissipate and reform. The prom on the Western limb was very tall and bright, looking like a large rectangular tower block, which gradually split, faded as the top looped over to the north, then the top looped back again to the south. At one point this loop appeared to join - forming the outline of the head of a man, whose figure, with arms out, was clear and rather funny. Wish I'd taken this video sooner (or had the ASI183 to hand). The prom quietened and reached its current state (3pm ish) as seen in the video.
The long group of prominences to the South - 4 main and some smaller - were more dim than the prom on the Western limb initially, but they remained impressive, ranging from good to very small and appeared at one point to be as clear row of pine trees, especially the larger right hand prom, with spiky 'branches' and a distinctive triangular fir tree shape, which gradually brightened then faded to this view. The tip of the ‘sharks fin’ to the left of the group extended out to the east then receded.
I'm afraid it's not easy to see the detail in such a simple video - it's slighly more visible to the naked eye. By the time I took this video it had gone 3pm, there was more haze and a lower sun and none of the prominences were particularly impressive.
There were No sunspots easily visible, although a Plage appeared to be visible close to the Westerly limb. Little surface detail other than orange peel, despite tuning the scope (better with the SS60s dial to left of centre for this today). I still need to lots more time with the scope to get the best from it.
I'm a Ha beginner having only observed in whitelight before and only having used this scope twice before, once in combination with a ZWO ASI 183MC astrophotography video camera. Medium seeing, 6/3/21 'third light' on the Daystar Scout SS60 Scope with fixed chromasphere quark built in - 930mm f15 60mm.
Various Eye pieces used: Plossl 40mm, Meade Super Plossl 26mm, Explore Scientific 24mm and 11mm 82 and 68 degree EPs gave good clarity and contrast, but the seeing's not good enough for close viewing of proms. ioptron motor, roughly pointed north was perfectly sufficiently good to keep the sun in view for at least 45 mins at a time. I'll edit this post to add a pic or two of the equipment setup in a moment.
3 images attached are: Afocal Smartphone still image (contrast increased in smartphont), plus two shots of the setup.
After a 20 year long hiatus - my last astrophoto was captured with a film camera in 1997 - at the beginning of 2020 I decided it was time to start again.
So, January 25th 2020 I brought home my used Sky-Watcher NEQ6 Pro and I immediately started taking photos. Obviously, my first target was M42 in Orion.
This was my first digital astrophotography. 31 subframes, 30s each, taken at ISO800 with my unmodified Nikon D90, Nikkor 70-300mm at 300mm f/6.3 - January 28th, 2020, home front yard, Bortle 5/6 sky, no guiding, no filters. A grand total of 15.5 minutes...
A couple of weeks later, me and my wife went to spend Valentine's weekend in the mountains. Of course I couldn't avoid taking advantage of the Bortle 4 sky and I took all my gear with me. Same target, 52 subframes, 45s each, taken at ISO800 with my unmodified Nikon D90, Nikkor 70-300mm at 300m f/5.6 - February 14th, 2020, Tonadico, Bortle 4 sky, no guiding, no filters. 39 minutes total integration.
After I finished post-processing the second photograph, I was so happy with the result. It felt amazing that I was able to capture so many details and more nebulosity compared to the photo taken from home.
Months passed, gear was changed. First one being the camera: at the end of February I bought a Nikon D5300 and a couple of months later I astromodified it on my own, adding a UV/IR cut filter in front of the sensor, after cutting it to size.
In October the rest of the setup finally arrived: Tecnosky 80/480 APO FPL53 Triplet OWL Series imaging telescope, Artesky UltraGuide 60mm f/4 guide scope and ZWO ASI 224MC guide camera. Also, an Optolong L-Pro 2" light pollution filter.
After months of imaging and getting more experienced with PixInsight, it was just a matter of waiting before I could have another go at one of my favorite targets. And maybe give it a little more justice.
This project took me more than a month, due to the rare clear nights opportunities I have had here lately.
I started acquiring in January and finished a couple of weeks ago.
M42 taken over 8 nights, under my Bortle 5/6 sky.
Total integration time: 18h 04m 00s for the nebula. 714s (14s subs) + 2065s (35s subs) for the Trapezium and the core.
Here are the acquisition details:
Mount: Sky-Watcher NEQ6 Pro
Telescope: Tecnosky 80/480 APO FPL53 Triplet OWL Series
Camera: D5300 astromodified
Reducer/flattener: Tecnosky 4 elements, 0.8x
Guide-scope: Artesky UltraGuide 60mm f/4
Guide-camera: ZWO ASI 224MC
2021/01/12: Number of subs/Exposure time: 33@300s. Notes: L-Pro filter, no Moon
2021/01/13: Number of subs/Exposure time: 33@300s. Notes: L-Pro filter, no Moon
2021/01/15: Number of subs/Exposure time: 38@300s. Notes: L-Pro filter, Moon 8% illuminated
2021/01/18: Number of subs/Exposure time: 36@300s. Notes: L-Pro filter, Moon 30% illuminated
2021/02/13: Number of subs/Exposure time: 30@300s. Notes: L-Pro filter, Moon 4% illuminated
2021/02/14: Number of subs/Exposure time: 23@300s. Notes: L-Pro filter, Moon 9% illuminated
2021/02/15: Number of subs/Exposure time: 51@14s + 48@35s. Notes: L-Pro filter, Moon 15% illuminated
2021/02/17: Number of subs/Exposure time: 11@35s + 38@180s + 1@300s. Notes: L-Pro filter, Moon 30% illuminated
Total exposure time (main integration): 65040s = 18h 04m 00s.
Total exposure time (35s integration): 2065s.
Total exposure time (14s integration): 714s.
Pre and post-processing: PixInsight 1.8.8-7.
Full HDR Version:
Masked Stretch Version:
Blended Version (50% HDR + 50% Masked Stretch):
To my personal taste, I like the blended version the most. I think it brings out the best of both worlds (HDR and soft, less contrasty but more colorful look).
I must say, I am very pleased and happy with the result. Not to boast, but I think I have come a long way since I started.
Obviously the better gear and the much, much longer integration time helped.
I think I actually spent more time post-processing it than acquiring it. Especially since I had to do the work almost twice: I post-processed the HDR and the Masked Stretch images separately, making sure I used the same processes and with the same strenght in both, so that I could combine them effectively, if I decided I didn’t like the look of the HDR alone. I also think I managed to tame the stars a lot more, compared to my previous post-processing attempts.
As usual, here’s a link to the full resolution image(s): Orion Nebula (M42), De Mairan’s Nebula (M43) and Running Man (NGC 1977)
Thanks for looking!
Hey everyone. Have previously stumbled across this forum when searching for answers to questions, have finally made an account.
Last night I shot the moon for a couple of hours. I took around 10x3 minute videos and captured a little over 80,000 frames. My aim was to then create a lunar mosaic image but I have never done this before, and my technical ability seems to be adding to the confusion.
So to give some context, I used an ASI120MCS planetary camera through an 8" Skywatcher Skyliner 200p dobsonian.
I have read that ideally you would use a tracking mount to record sections of the moon at a time, however I sadly don't have that luxury.
I instead let the moon drift across the field of view and I'm pretty confident that among the 80,000 frames I have all the pieces of the moon as a whole.
What I'm now having issues with is how to break down these Avi files into frames which then can be used to create a mosaic. I need a "for dummies" guide ae thats what I'm feeling like currently.
Thank you in advance for any assistance you may be able to provide. :)