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Found 149 results

  1. Hello to all! Just posting some of the images I took recently! (Total first attempt from someone who can't even hold a camera properly) I was out to conduct a public overnight sky observation event, which was the last event before 6 months of monsoon. For a lot of time, we had cloud cover too! These images don't include much of editing more than just some basic stuff in cellphone. I forgot to take the photos in RAW so either way I can't do much! Quite happy with the first attempt. Will improve even more in next season! Nikon 5300, with the basic 18-55 lens. Any suggestions appreciated! Thanks!
  2. So, I have gone and got myself a Skywatcher Star Discovery 150p, which has so far proved to be a very good little scope and I've had some very good results. I have now got the bug for imaging and have gone out and got myself a second hand Nikon D5100 and verious other equipment needed to do this, only to now find I can't get Prime Focus!!!!!!!! So the only way I can image is using a barlow x2 which obviously changes the F ratio from F5.5 to F11 slowing everything x2 this isn't to bad for planetary imaging but for DSO images not so good!!! After searching through lots of videos on to do this all I can find is...... I can either butcher the standard rack and pinion focuser that's fitted on it by cutting it down and rethreading it or by moving the primary up by 20-25mm, which seems a shame to do a brand new scope still under warranty! The only other option I have come up with is changing the focuser to a Skywatcher Low Profile Dual Speed Focuser For Newtonian Reflectors. Could anyone out there shed any light on this before I spend another £130 on the new focuser. Thanks
  3. Posting in this forum after too long! One of the first attempts at taking photos of the moon. All photos taken using skywatcher 90mm refractor with eq2 mount, Nikon DSLR and 2x Barlow here and there. No exposure. Basic editing in cellphone. Thank you! Suggestions highly appreciated!
  4. Hi, I'm totally New to this hobby and i'm having trouble understanding something in stellarium. I have ordered (not recieved) a Sky-Watcher Explorer 150PDS, which has a 25mm eyepiece 50degrees FOV as a default. I also have a Nikon D810. I wanted to get an idea of what my field of view would be with the 25mm eyepiece (30x on 750mm focal length), and also what it would be With my Nikon D810 mounted shooting prime Focus - no eyepieces. What surprised me was that it wasnt much difference between the frame and size of the object i get with 30x magnification (25mm eyepiece), and what i get with the Nikon D810 mounted. I dont get this. What magnification do i get With my DSLR mounted with no eyepiece?
  5. Hi all, I use my Nikon D750 95% of the time for daytime imaging, so far I have done nightscapes of the milky way and recently I bought a Star Adventurer and have been really pleased with the results that I got with my Nikon 180mm f2.8 lens attached. I would also like to attach the camera to larger telescopes that my local Astronomical Society has. I am interested in increasing the Ha sensitivity, however I would like to continue using the camera for daytime imaging, I have read a lot of different posts here and other places and I'm still none the wiser. So far I have gathered that the IR filter is removed which sits in front of the camera's sensor and is replaced with a filter that lets through the Ha wavelength, however a custom white balance is required for daytime use. Does this custom white balance overly matter as it can be altered in Lightroom/Camera Raw? I also read that an external IR filter may need to be fitted to each lens (a bit impractical and is this only when the whole IR filter has been removed from in front of the sensor - full spectrum mod?).
  6. Update: 3rd June Re-processed to remove slight magenta tint caused by the non-uniform removal of light pollution by the DBE process ( it was being fooled by the very bright image centre ). The globular star cluster Omega Centauri ( NGC 5139 ) in Centaurus ( please click / tap on image to see larger and sharper ) A full size image can be found here. original below ..... A newly captured ( May 2018 ) image of the great southern globular star cluster, Omega Centauri ( NGC 5139 ) Omega Centauri ( NGC 5139 ) in Centaurus - ( please click / tap image to see larger and sharper ) A full size ( ~ 6000 x 4000 ) image can be found here ....... This image is an attempt to look deeply into the mighty Omega Centauri star cluster and, by using HDR techniques, record as many of its faint members as possible whilst capturing and bringing out the colours of the stars, including in the core. Image details: Resolution ........ 0.586 arcsec/px ( full size image ) Rotation .......... 0.00 deg ( up is North ) Focal ............. 1375.99 mm Pixel size ........ 3.91 um Field of view ..... 58' 20.9" x 38' 55.1" Image center ...... RA: 13 26 45.065 Dec: -47 28 27.26 Telescope: Orion Optics CT12 Newtonian ( mirror 300mm, fl 1200mm, f4 ). Corrector: ASA 2" Coma Corrector Quattro 1.175x. Effective Focal Length / Aperture : 1470mm f4.7 Mount: Skywatcher Eq8 Guiding: TSOAG9 Off-Axis-Guider, Starlight Xpress Lodestar X2, PHD2 Camera: Nikon D5300 (unmodified) (sensor 23.5 x 15.6mm, 6016x4016 3.9um pixels)\ Location: Blue Mountains, Australia Moderate light pollution ( pale green zone on darksitefinder.com map ) Capture ( May 2018 ) 8 sets of sub-images with exposure duration for each set doubling ( 2s to 240s ) all at ISO 250. Processing: Calibration: master bias, master flat and master dark Integration in 8 sets HDR combination Pixinsight May 2018
  7. The Great Barred Spiral Galaxy ( NGC 1365 ) in the Constellation Fornax ………………………. ( edit - star chart added ) The Great Barred Spiral Galaxy ( NGC 1365 ) - Chart ( please click/tap on image see larger and sharper version ) A full size ( 6200 x 4407px ) image can be downloaded from here. ………………………. Details: Below the equator, not seen from much of the Northern hemisphere, NGC 1365 passes very nearly directly overhead an observer situated near Cape Town, as Sir John Herschel was in November of 1837 when he discovered this “remarkable nebula” that is numbered 2552 in his book of observations from the Cape. Not called a “nebula” now, of course, this striking object is one of the nearest and most studied examples of a barred spiral ( SB ) galaxy that also has an active galactic nuclei resulting in its designation as a Seyfert galaxy. At around 60 M light years from Earth, NGC 1365 is still seen to occupy a relatively large area ( 12 by 6 arc minutes ) due to its great size; at some 200,000 light years or so across, NGC 1365 is nearly twice as wide as the Milky Way and considerably wider than both the Sculptor and Andromeda galaxies. This High Dynamic Range ( HDR ) image is built up from multiple exposures ranging from 4 to 240 seconds with the aim of capturing the faint detail in the spiral arms of the galaxy whilst also retaining colour in the brightest star ( the orange-red 7th magnitude giant, HD 22425 ). Also, scattered throughout the image, and somewhat more difficult to see, are numerous and far more distant galaxies. ................. Identification: The Great Barred Spiral Galaxy New General Catalogue - NGC 1365 General Catalogue - GC 731 John Herschel ( Cape of Good Hope ) # 2552 - Nov 28, 29 1837 Principal Galaxy Catlogue - PCG 13179 ESO 358-17 IRAS 03317-3618 RA (2000.0) 3h 33m 37.2 s DEC (2000.0) -36 deg 8' 36.5" 10th magnitude Seyfert-type galaxy in the Fornaux cluster of galaxies 200 Kly diameter 60 Mly distance .................. Capture Details: Telescope: Orion Optics CT12 Newtonian ( mirror 300mm, fl 1200mm, f4 ). Corrector: ASA 2" Coma Corrector Quattro 1.175x. Effective Focal Length / Aperture : 1375mm f4.7 Mount: Skywatcher EQ8 Guiding: TSOAG9 Off-Axis-Guider, Starlight Xpress Lodestar X2, PHD2 Camera: Nikon D5300 (unmodified) (sensor 23.5 x 15.6mm, 6016x4016 3.9um pixels) Location: Blue Mountains, Australia Moderate light pollution ( pale green zone on darksitefinder.com map ) Capture ( 3, 7 & 8 Dec 2018 ) 7 sets of sub-images with exposure duration for each set doubling ( 4s to 240s ) all at unity gain ( ISO 250). 140 x 240s + 10 each @ 4s to 120s total around 9.7 hrs Processing ( Pixinsight ) Calibration: master bias, master flat , master dark Integration in 7 sets HDR combination Links: 500px.com/MikeODay photo.net/photos/MikeODay <a href="http://www.flickr.com/photos/mike-oday">www.flickr.com/photos/mike-oday</a> Image Plate Solution =================================== Resolution ........ 0.586 arcsec/px ( full size image ) Rotation .......... -0.003 deg ( North is up ) Field of view ..... 58' 37" x 38' 55" Image center ...... RA: 03 33 36 Dec: -36 08 27 ===================================
  8. MikeODay

    Ptolomy's Cluster

    From the album: Mike's Images

    30 sec subs @ ISO 800 Guided Sykywatcher Quattro 10" f4 Newtonian Baader MPCC Mk3 Coma Corrector Skywatcher AZ EQ 6 GT Mount Orion auto guider on 80mm f5 guide scope Nikon D300 unmodified

    © Copyright Mike O'Day 2014 - all rights reserved

  9. From the album: Mike's Images

    Cat's Paw Nebula - NGC 6334 ( aka Bear Claw Nebula ) An emission nebula in Scorpius (near the scorpion's tail) RA 17h 25m 39.6s ; Dec -35deg 43' 48" . 7th August 2015. Skywatcher Quattro 10" f4 Newtonian. Skywatcher AZ Eq6 GT Mount Orion 80mm f5 guide scope and auto guider - PHD2. Baader MPCC Mark 3 Coma Corrector, UHC-S 'nebula' filter. Nikon D5300 (unmodified). Field of view (deg) ~ 1.35 x 0.90. ISO800, 14bit NEF, Long Exp. NR on. 28 x 200sec (starting at zenith) no moon, 3deg C, 70%RH, moderate LP. PixInsight

    © Copyright Mike O'Day 2015 - all rights reserved

  10. Hi, i captured orion nebula with nikon d5600 and nikon 18-140mm lens,the images it took was shaky and look like small star trails but i kept only at minimum shutter speed...what is wrong with the image? i hv attached sample image..pls help
  11. I can't find any clip in Light pollution filters for Nikon cameras, specifically my trusty D90. Does anyone know where I can get my hands on one? it's been suggested that I just get a cannon already and I might in a few years but not now! I have found this Optolong UHC Ultra High Contrast Filter - Nikon D5000, D5100 Clip filter, but I don't know if it will work with a Nikon d90? any advice would be appreciated! cheers
  12. In an earlier post I examined the noise in single dark frames over a range of exposure times. My conclusion was that the Nikon D7500 was a lower noise camera than the D5300. This was also backed up by an examination of master bias frames that again strongly favoured the D7500. However ... The first image I attempted to produce with the D7500 exhibited very strong streaks in the noise. I had been in the habit of not using dark subtraction with the D5300 as it has very low thermal pattern noise. Accordingly, I again only used bias and flat frame calibration in the workflow that produced the above images. Whilst the streaks are due to patterns in the noise being spread across the image due to errors in the application of dithering during tracking, it did indicate that the D7500 did have significant thermal pattern noise. I found this surprising because the noise in individual frames ( when looked at in isolation ) seems to be completely random. I thought that perhaps my memory had failed me and maybe the D5300 has the same level of pattern noise but my memory was being tricked. That is, all my recent images with the D5300 were taken at lowish air temperatures ( ~5 deg or so ) whereas the image above was captured on warm nights ( low 20s ) and so maybe the D5300 would be just as bad at higher temperatures. To test this I produced bias corrected master darks for both the D7500 and D5300 from images all taken at around 20 deg or just over. The images below have all been stretched using the same screenTransferFunction applied to the Pixinsight histogram tool. The results are striking ... D5300 master dark ( 47 subs, bias corrected ) - red channel: D7500 master dark ( 281 subs, bias corrected ) - red channel: D5300 master dark 100% centre crop - red channel: D7500 master dark 100% centre crop - red channel: And the histograms of the full size images ( red channels ) ... D5300 master dark ( red channel ) histogram: D7500 master dark ( red channel ) histogram: The Pixinsight statistics tool calculates the following: D5300: mean 2.3, standard deviation 9.3 D7500: mean 7.5, standard deviation 20.8 ------------- Analysis: The images and histograms clearly show that the D7500 has higher pattern noise than the D5300. In particular, from the histograms, 0.1% ( 6,286 ) of D5300 pixels are more than 44 ADU whereas, for the D7500 this figure is 27 times as great at 2.7% ( 141,305 pixels ). Furthermore, the master dark for the D5300 was only produced using 47 images -v- 281 for the D7500 so I would expect that this difference would be even higher with more D5300 frames. On the other hand, whilst not shown in the histograms above, my D5300 does have more 'very hot' pixels than the D7500 ( 579 pixels greater than 400 ADU -v- 10 pixels greater than 400 ADU ). However, these hot pixels are very easily removed via dithering during tracking and sigma clipping when integrating. The very large number of warm pixels however are very difficult to remove as dithering just places different warm pixels on top of each other. I went back and examined the 'random' noise seen in the individual D7500 dark frames ... and yes they do look random when seen individually, however, when flicking between a number of frames it is clear that the 'random' pattern is repeated in each frame! Conclusion: My D7500 has very significant thermal pattern noise, albeit randomly distributed in a fixed pattern. ............ Next steps (?) - I could use in dark subtraction during calibration to reduce the impact of pattern noise - however, as my camera is not cooled and the night's temperatures are constantly changing, any master dark will not closely align to the actual thermal pattern noise and as such dark subtraction may help but will not solve the problem - Using in-camera dark subtraction ( Nikon's long exposure noise reduction feature ) would almost completely remove the pattern noise from each frame. However, due to the extra random noise being introduced by subtracting another noisy dark frame from each light frame, as well as the reduction in total light frames by 2, the resultant images will suffer from higher levels of random noise. So whilst this would be an improvement with respect to the pattern noise, it is not a complete solution. - Third option, sell the D7500 and go back to using the D5300 ...
  13. Hello, I want to get into astrophotography. I have a Newtonian (200/1000) and I'd like to buy a DSLR. My preferred maker is Canon, but you can change my mind if you recommend something else and I like it . My budget is around $700 or less and most importantly used cameras not an option because in my country there isn't any good places to buy used DSLRs. I'd like to do prime focus photos and some Milky Way photos. I found out that the 1000d would be a good option but it's not in the stores any more. Then I thought about the 750d but it has vertical lines in the photos. Now I'm thinking about the 2000d but I didn't found any astrophoto experiences with it on the internet. So what's your recommendations?
  14. Greetings everyone. Few months ago I wrote a post about a small refractor to mount on a Star Adventurer, but I'm now considering fast tele lens like the Nikon 80-200 f2.8. My question is: what is the best tele lens to get pictures of Andromeda galaxy, Orion, Soul, Hearth nebula and stuff like these? If I'd pick a 70-200 f2.8 lens, can I plug a teleconverter 2x to get better crop without losing details? I've attached a picture taken with my Nikon D3300 and 18-105 kit lens, as you can see it's quite small (forget about the quality, it was also quite foggy back then). Thanks in advance.
  15. Went out on Sunday night to try and get some OIII for the Veil Nebula Bi-Colour Mosaic I’m currently working on. It ended up being a largely frustrating night though as I was fighting a big, bright full moon (in hindsight not the smartest decision I’ve ever made in fairness, lol). Factor in just enough intermittent clouds to exacerbate the issue even more, and when it finally set behind the neighbour’s house at 03:30am I was feeling pretty glum and was about to pack up for the night when I suddenly thought, what the heck, let’s try for a quick capture of 21P! As it was fairly low to the East, I had to disconnect all the cables and carry the whole rig to the other side of the house and re-do Polar Alignment, PHD calibration and focus. I did think about not guiding, as I knew the exposures were going to be short, but it just feels wrong not to guide these days so I decided to do it anyway just for peace of mind if nothing else. So I started capturing around 04:15ish and as astro-dark was due to finish shortly after 5am I decided to just do 40 subs of 90s each using the IDAS-D1 filter (we have streetlights nearby). Went in to grab a quick 60 mins of shuteye, except I overslept and didn’t wake until 06:30, so was then in a mad rush to pack up and get ready for work! Which meant I forgot to get Flats, but thankfully I was able to re-use the master Flat from my M13 image from a few months back and it seemed to work just fine ? Processing this one was interesting to say the least. This is my first comet, so I had to do some research beforehand. These days I always do my stacking in APP, but I had to go old-school and use DSS for this one due it’s special Comet-only stacking mode. So I did 2 stacks, a regular Median one just for the stars, and a 2nd Kappa-Sigma one aligned on the Comet (and using the same reference frame as the Median stack). Some subs were badly affected by intermittent clouds, so I could only stack 33 out of the 40 subs (and tbh 33 was really pushing it, quality-wise). I processed each one separately in PS and then layered in just the comet on top using the ‘Screen’ blending mode. I actually wasn’t aware there was red nebulosity in the background until I started stretching, and it certainly would have been easier to process had it not been there, lol. As expected, I have had to use quite a bit of NR compared to my normal amount, due to the pitiful amount of exposure to work with. Hopefully it doesn’t look too bad but let me know if you think it needs more or less of anything in particular. Of course, there’s only so far you can ever go with just 49 mins of data at hand. As the capture was done in such a rush, I didn’t bother worrying about the framing. I just input the co-ordinates into SGP and let it centre on the object for me. But having now worked out where in the sky this is, and looking at the FoV, I can see that had I rotated the camera 90 degrees then the Cone Nebula would have been in the frame. I actually haven’t imaged the Cone before, so I think this winter I will make a point of imaging it in it’s own right, and then I can re-use it to make a much more interesting version of this image with a much better background. Fun times! C&C welcome as always. And thanks for looking! ? Edit: Decided to make a few changes, so here's v2:
  16. So far in this and many other hobbies I have made the same mistake going entry-level and then lost money in the long run when upgrading. I already subscribed to Nikon a long time ago so have a bag full of Nikon for normal photography but what I think I want (based on support) is a Canon body that I get modified to stick onto the scope. I have seen some amazing photos taken with entry level cameras like the 300d, 450d and 1100d so what I would like to know is, other than megapixel, what would be the gain in going for a better camera than say a used 1100d? Thanks
  17. Reprocessed to try to better balance the colours ... (previous version: http://stargazerslounge.com/topic/239687-eta-carinae-nebula/ )
  18. Conditions have been very poor down in Sydney for the last month (rain, clouds or 'darn' moon every night ) so no new images but at least I have plenty of time for lots of reprocessing ... This one was captured back at the beginning of the year and I'm still playing with it. Here I have been trying to get to grips with the HDR composition function in PixInsight. It is built up from four sets of around 20 images each at 4sec, 8sec, 30sec and 120sec all at ISO800 with my unmodified Nikon D5300. And this is the previous attempt. I think I prefer the composition, colours and contrast of the new version.
  19. A new target for me - the Running Chicken Nebula sits about halfway between the Southern Cross and the Eta Carina Nebula. IC2948 Running Chicken Nebula in Centaurus ( bright star is Lambda Cenauri) (RA 11h 39.6m - Dec -63deg 37.2'). Skywatcher Quattro 10" f4 Newtonian. Skywatcher AZ Eq6 GT (on Pier) Orion auto guider - PHD2 (RA only - Dec ungiuded). Baader MPCC Mark 3 Coma Corrector, UHC-S (Nebula) filter, Nikon D5300 (unmodified), Long Exp Noise Reduction on, 14bit NEF, 13 x 300 sec ISO 200. PixInsight & Photoshop 28 March 15
  20. Bright Nebula NGC 6188 and open cluster NGC 6193 in Ara Magnitude +5.19, RA 16h 41m 42s, Dec -48deg 48' 46" Approx. 3800 light years away Skywatcher Quattro 10" f4 Newtonian. Skywatcher AZ Eq6 GT Mount (on concrete pier) Orion 80mm f5 guide scope and auto guider - PHD2. Baader MPCC Mark 3 Coma Corrector, UHC-S 'nebula' filter. Nikon D5300 (unmodified). Field of view (deg) ~ 1.35 x 0.90. UHC-S - 32 x 180 sec ISO800 (14bit NEF, Long Exp. NR on). Pixinsight and photoshop 7 July 15 (processed 29 August 15) Other images: photo.net/photos/MikeODay 500px.com/mikeoday
  21. From the album: Mike's Images

    Blue Moon - 31st July 2015 Skywatcher Quattro 10" f4 Newtonian ("full moon" dust cap in place). Skywatcher AZ Eq6 GT Mount Orion 80mm f5 guide scope and auto guider - PHD2. Baader MPCC Mark 3 Coma Corrector, UHC-S 'nebula' filter. Nikon D5300 (unmodified). ISO200, 14bit NEF, Long Exp. NR off. 487 sub exposures @ 1/50th Subs taken over 45min period covering Full Moon @ 10:42 UT (8.42pm local time). Processed using Registax and Photoshop

    © Copyright Mike O'Day 2015 - all rights reserved

  22. From the album: Mike's Images

    Cat's Paw Nebula - NGC 6334 ( aka Bear Claw Nebula ) An emission nebula in Scorpius (near the scorpion's tail) RA 17h 25m 39.6s ; Dec -35deg 43' 48" . 7th August 2015. Skywatcher Quattro 10" f4 Newtonian. Skywatcher AZ Eq6 GT Mount Orion 80mm f5 guide scope and auto guider - PHD2. Baader MPCC Mark 3 Coma Corrector, UHC-S 'nebula' filter. Nikon D5300 (unmodified). Field of view (deg) ~ 1.35 x 0.90. ISO800, 14bit NEF, Long Exp. NR on. 28 x 200sec (starting at zenith) no moon, 3deg C, 70%RH, moderate LP. PixInsight

    © Copyright Mike O'Day 2015 - all rights reserved

  23. From the album: Mike's Images

    The Lagoon Nebula ( Messier 8, NGC 6523 ) in the constellation Sagittarius - by Mike O'Day ( https://500px.com/mikeoday ) The Laboon Nebula ( M8 ) is visible to the naked eye under dark skies from most latitudes except the far north. Seemingly covering an area about three times that of the full Moon, M8 actually covers an area somewhat greater than 110 light years and is around 4300 light years from Earth in the Sagittarius-Carina spiral arm of the Milkyway galaxy. Links: https://500px.com/MikeODay http://photo.net/photos/MikeODay Details: Messier 8, NGC 6523 - Lagoon Nebula. also contains: NGC 6526 NGC 6530 NGC 6533 IC 1271 IC 4678 7SGR 9SGR Skywatcher Quattro 10" f4 Newtonian telescope. Skywatcher AZ Eq6 GT Mount. Orion auto guider - PHD2. Baader MPCC Mark 3 Coma Corrector, UHC-S 'nebula' filter. Nikon D300 (unmodified) (14bit NEF). Field of view (deg) ~ 1.35 x 0.90. 20 x 120 sec ISO400. 26 x 30 sec ISO 1600. 23 x 240 sec ISO 200. PixInsight and Photoshop. 2 August 14 . re-processed 24 April 2016 to include the additional subs ( the first version only made use of the 23 x 240 sec ISO 200 subs ) and putting use the processing lessons I have learnt over the past year.

    © Copyright Mike O'Day 2016 - all rights reserved

  24. Ptolemy's Cluster in Scorpio ( Messier 7, NGC 6475 ). Visible to the naked eye as a small bright patch in the sky, this open cluster is around 980 light years away with around 80 stars within a area of 25 light years or so. Links: 500px.com/MikeODay photo.net/photos/MikeODay Details: RA 17h 54m, Dec -34deg 47'. Skywatcher Quattro 10" f4 Newtonian. Skywatcher AZ Eq6 GT Mount Orion auto guider - PHD2. Baader MPCC Mark 3 Coma Corrector. Nikon D300 (unmodified). Field of view (deg) ~ 1.35 x 0.90. 18 x 30 sec ISO800. 23 May 14 Reprocessed Pixinsight 8 Sep 2015 This was one of my first ever asto image captures taken shortly after I bought my scope. I reprocessed it today using Pixinsight. Here is the original version ...
  25. Update 16th June: I could not wait to tell people that I was just notified that my image of Omega Centauri will be published as a future NASA's Astronomy Picture of the Day ( APOD ) - my first ever I will update the thread when they publish. ................................. A deep look at Omega Centauri ( NGC 5139 ) This image is an attempt to look deeply into the the Omega Centauri globular cluster by using HDR techniques to record as many faint stars as I can whilst retaining colour and detail in the bright stars, including at the core ... ............. Reprocessed to bring out more faint stars and to produce a smother transition between brightness levels. New version ( 12 June 2017 ): Omega Centauri ( NGC 5129 ) ( please click / tap on image to see lager and sharper ) .......... Old version: Omega Centauri ( NGC 5129 ) ( please click / tap on image to see full size and sharper ) Image details: from www.nova.astrometry.net: Size: 58.6 x 39 arcmins, Centre: 13h 26 min 50.4 sec, -47deg 28' 39.1''. Orientation: up is -89.9 East of North ( ie. E^ N> ). Telescope: Orion Optics CT12 Newtonian ( mirror 300mm, fl 1200mm, f4 ). Corrector: ASA 2" Coma Corrector Quattro 1.175x. Effective Focal Length / Aperture : 1410mm f4.7. Mount: Skywatcher AZ Eq6 GT. Guiding: TSOAG9 Off-Axis-Guider, Starlight Xpress Lodestar X2, PHD2 . Camera: Nikon D5300 (unmodified) (sensor 23.5 x 15.6mm, 6016x4016 3.9um pixels). No filter Long Exposure noise reduction off Location:. Blue Mountains, Australia. Moderate light pollution ( pale green zone on darksitefinder.com map ). Capture: 9 sets of sub-images with exposure duration for each set doubling ( 1s to 240s ) all at ISO800. Processing:. Calibration: master bias, master flat and no darks. Integration in 9 sets. HDR combination. Pixinsight May 2017
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