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Found 112 results

  1. Having upgraded from canon 1000D to Nikon D5300 how do users of the 5300 find it for Astro I will be using with APT , and how do you take flats as I can’t use Av mode as there is nothing in tools menu to choose no lens , do you use in manual mode and look at histogram ? .
  2. I thought i'd revisit this one, as i was never truly sure abut the processing originally. So with this one, i sought to improve the stars (they're a big improvement) but also bring out more of the dark nebulosity. Did i go too far though?! Looking at it again today i think i may have. Details: Ha: 7 x 480s, 6 x 1200, 13 x 1200 (a little over 7 Hrs) OIII: 9 x 1200s (3 Hrs) RGB (with IDAS-D1 filter): 20 x 60s The usual Flats & Bias, stacked in APP and processed in PS. Gear used: Nikon D5300 (modded); SW 80ED (522mm FL); HEQ5-Pro; SGPro and PHD2. The original version can be seen on the Astrobin link. C&C welcome and clear skies folks! ps - At the moment this is still at 100%, but i'll probably end up down-sampling it to about 50%. I don't think it can hold up to 100% tbh. Edit - Here's the new, now much more toned-down, version. It's a clear improvement, so i'll have to keep reminding myself not to try and go for big & bright, when subdued nearly always ends up looking better! Original, nasty over-bright version: https://astrob.in/346428/C/
  3. Hi guys First things first, apologies for posting this one out of season. A combination of no astro dark, crappy weather, and being busy at work has meant that there's no imaging getting done at all these days. So, i've had to turn to old data to re-process, and this data set was an obvious candidate as i was never happy with how it came out originally. And looking back on it now with fresh eyes, boy did it need it! Nikon D5300, SW 80ED, HEQ5-Pro. 3 x 1200s, 2 x 1380s, and 4 x 1500s of Ha 9 x 1200s of Oiii. 11 x 480s with an IDAS-D1, for RGB stars only 7 Hrs 54 Mins in Total. Stacked in APP and processed in PS. Combined as SHO (using a 70/30 blend of Ha/Oiii for the Sii). The main differences this time were, using Starnet++ to create the starless versions, using more Ha in the synthesized Sii (70% instead of 50% last time), but mostly the improvement has come from toning down the stretch a lot (ok, a heck of a lot!) before making the colour map for the tone-mapping. From then on it was immediately apparent that i'd made a massive boo-boo first time round I've included a 1080p rotated crop too, as i quite liked the framing. Feels like ages since i last did any NB imaging. I almost forgot how much i enjoy it! And rather embarrassingly, here's the original. Try not to laugh too hard!
  4. Back in early Feb I tried imaging Markarian's Chain, but after 2 subs I encountered guiding issues (a first for me) so had to give up. So just for kicks and giggles, I decided to process them! ? So this is 2 x 10mins. With the D5300, 80ED and HEQ5-Pro. 'Stacked' (if it's even right to use that term!) in APP, and processed in PS. Then reduced to 75% for posting. Why oh why oh why..... I honestly don't even know myself ?
  5. Like the lunatic that I am, I decided to get the scope out last week during that storm that was passing through. The skies were clear and there was no moon about, so I figured why not! Only problem was the 17-20 mph winds, lol. I got 2 hrs of subs but had to throw away half of them due to guiding problems more so than the wind, amazingly. This was the 2nd time in a row i'd had Dec guiding problems, and that's after about 2 years of not having a single problem guiding. After the 1st hr of wasted subs, I turned off Fast Switching in Dec and chose to only Dither in RA, and the Dec problems mostly went away, at least to allow me to capture 1 hr of 'still dodgy but just about useable' subs. Once M42 disappeared behind the neighbour's roof, I then re-calibrated on the Celestial Equator (Dec 0) and when I switched to the Pinwheel Galaxy I was able to guide as normal again (with Fast Switching and Dithering in both RA and Dec both turned on again) and didn't lose any subs, despite the wind, so I've decided that from now on I won't be calibrating at the target itself, i'm always going to do it at Dec 0. I decided to throw this in with another 1 hr of subs (plus 10 x 30s for the core) that I took back in Jan 2017 (has it really been that long?!). That hr also had issues, with some weird streaking in the lower left that I could never work out what caused it. The D5300 hadn't been modified at that stage either. So I fired it all in to APP and decided to stack it anyway, and give it a quick process. Then chose to crank it up to 11 on the colour front, just for laughs. It won't be going on the wall anytime soon, lol, but I suppose it came out a bit better than I was expecting, all things considered. 20 x 360s with an IDAS-D1 D5300, 80ED, HEQ5-Pro. Stacked in APP, processed in PS. CS! edit - I forgot to downscale it - so no pixel peeping allowed ?
  6. Hi guys I'm breaking the cardinal rule here of posting late at night, right after finishing PP, so let's see what sense the dawn brings! ? I shot this in the early hrs of 29th of March. There was no moon present (i think!) and conditions were pretty good, AFAIK. This is 28 x 360s, so about 2.75 hrs in total. Taken as usual with the D5300, IDAS-D1, and SW 80ED. APP used for stacking and gradient reduction, everything else done in PS. Would have liked twice, or 3 times, the data, but it's just not happening, so i've just decided to process what i've got. Thanks for looking, and all CC welcome as always ?
  7. Hey guys So with no new data at hand (or on the horizon it would seem) i decided to go back and re-process my short stack of M81 & M82, being the glutton for punishment that i am! The last time i re-processed this was about a year ago, so i was curious to see if i could get any more out of it. It's hideously low on data (nothing new there!), this is just 9 x 600s of colour (with an IDAS-D1) together with 7 x 1200s of Ha (which i only used to Lighten the Reds in the Ha jets of M82 and the small spiral regions of M81). AstroPixelProcessor used for stacking and gradient reduction, and PS for everything else. I mistakenly shot the colour at ISO 800, instead of the usual 200 i always use. A mistake i imagine every DSLR user has made before! And i have to say i really noticed it during processing. There was noticeably less colour in the stars. That being said, i was still able to bring out more colour in the core of M81 this time. And i think M82 looks a bit better as well, it was definitely over-sharpened before. I really love these targets, but they just make me wish i had more reach! CS! Here is the original thread: And here's the new one, including a cropped version:
  8. Between the clouds, moon, neighbour's roof, nearby floodlights, and all the usual general life stuff, i've simply not been able to get any meaningful data on the HH (or Orion for that matter either) for the last 2 years! To say it's been my nemesis would be an understatement. At this rate i'll be glad to have that box ticked proper before i hit 50 ? So when we had a few hrs of clear sky (and no moon) a couple of weeks back i knew i had to give it a go. I luckily managed 9 x 7mins before it disappeared behind the neighbour's roof. I also have 5 subs of Ha (90 mins in total) from last March, although it wasn't of great quality (there was a nearly full moon right beside it, plus the neighbour's fire smoke was billowing up through the Fov ? ). I've been waiting patiently for more clear skies to add to this, but that 's not working out too well, lol. I really shouldn't be processing this, but all work and no imaging makes Ciaran a dull boy, so here goes nothin... 9 x 7mins with an IDAS-D1 4 x 1200s and 1 x 900s of Ha ~2.7 hrs in Total Stacked in APP and processed in PS. Lots of heavy lifting needed in PS, and i've reduced it to 50% in size as well. For now, at least, this will have to do. There's a lot of good HH's about so hopefully this one's not too hideous! ? I'll post what the 2 raw stacks looked like below as well, just for kicks. Here's the 9 x 7 mins raw stack (with DDP stretch): And here's the ~90min Ha raw stack:
  9. Reprocessed to try to better balance the colours ... (previous version: http://stargazerslounge.com/topic/239687-eta-carinae-nebula/ )
  10. Conditions have been very poor down in Sydney for the last month (rain, clouds or 'darn' moon every night ) so no new images but at least I have plenty of time for lots of reprocessing ... This one was captured back at the beginning of the year and I'm still playing with it. Here I have been trying to get to grips with the HDR composition function in PixInsight. It is built up from four sets of around 20 images each at 4sec, 8sec, 30sec and 120sec all at ISO800 with my unmodified Nikon D5300. And this is the previous attempt. I think I prefer the composition, colours and contrast of the new version.
  11. A new target for me - the Running Chicken Nebula sits about halfway between the Southern Cross and the Eta Carina Nebula. IC2948 Running Chicken Nebula in Centaurus ( bright star is Lambda Cenauri) (RA 11h 39.6m - Dec -63deg 37.2'). Skywatcher Quattro 10" f4 Newtonian. Skywatcher AZ Eq6 GT (on Pier) Orion auto guider - PHD2 (RA only - Dec ungiuded). Baader MPCC Mark 3 Coma Corrector, UHC-S (Nebula) filter, Nikon D5300 (unmodified), Long Exp Noise Reduction on, 14bit NEF, 13 x 300 sec ISO 200. PixInsight & Photoshop 28 March 15
  12. Bright Nebula NGC 6188 and open cluster NGC 6193 in Ara Magnitude +5.19, RA 16h 41m 42s, Dec -48deg 48' 46" Approx. 3800 light years away Skywatcher Quattro 10" f4 Newtonian. Skywatcher AZ Eq6 GT Mount (on concrete pier) Orion 80mm f5 guide scope and auto guider - PHD2. Baader MPCC Mark 3 Coma Corrector, UHC-S 'nebula' filter. Nikon D5300 (unmodified). Field of view (deg) ~ 1.35 x 0.90. UHC-S - 32 x 180 sec ISO800 (14bit NEF, Long Exp. NR on). Pixinsight and photoshop 7 July 15 (processed 29 August 15) Other images: photo.net/photos/MikeODay 500px.com/mikeoday
  13. Went out on Sunday night to try and get some OIII for the Veil Nebula Bi-Colour Mosaic I’m currently working on. It ended up being a largely frustrating night though as I was fighting a big, bright full moon (in hindsight not the smartest decision I’ve ever made in fairness, lol). Factor in just enough intermittent clouds to exacerbate the issue even more, and when it finally set behind the neighbour’s house at 03:30am I was feeling pretty glum and was about to pack up for the night when I suddenly thought, what the heck, let’s try for a quick capture of 21P! As it was fairly low to the East, I had to disconnect all the cables and carry the whole rig to the other side of the house and re-do Polar Alignment, PHD calibration and focus. I did think about not guiding, as I knew the exposures were going to be short, but it just feels wrong not to guide these days so I decided to do it anyway just for peace of mind if nothing else. So I started capturing around 04:15ish and as astro-dark was due to finish shortly after 5am I decided to just do 40 subs of 90s each using the IDAS-D1 filter (we have streetlights nearby). Went in to grab a quick 60 mins of shuteye, except I overslept and didn’t wake until 06:30, so was then in a mad rush to pack up and get ready for work! Which meant I forgot to get Flats, but thankfully I was able to re-use the master Flat from my M13 image from a few months back and it seemed to work just fine ? Processing this one was interesting to say the least. This is my first comet, so I had to do some research beforehand. These days I always do my stacking in APP, but I had to go old-school and use DSS for this one due it’s special Comet-only stacking mode. So I did 2 stacks, a regular Median one just for the stars, and a 2nd Kappa-Sigma one aligned on the Comet (and using the same reference frame as the Median stack). Some subs were badly affected by intermittent clouds, so I could only stack 33 out of the 40 subs (and tbh 33 was really pushing it, quality-wise). I processed each one separately in PS and then layered in just the comet on top using the ‘Screen’ blending mode. I actually wasn’t aware there was red nebulosity in the background until I started stretching, and it certainly would have been easier to process had it not been there, lol. As expected, I have had to use quite a bit of NR compared to my normal amount, due to the pitiful amount of exposure to work with. Hopefully it doesn’t look too bad but let me know if you think it needs more or less of anything in particular. Of course, there’s only so far you can ever go with just 49 mins of data at hand. As the capture was done in such a rush, I didn’t bother worrying about the framing. I just input the co-ordinates into SGP and let it centre on the object for me. But having now worked out where in the sky this is, and looking at the FoV, I can see that had I rotated the camera 90 degrees then the Cone Nebula would have been in the frame. I actually haven’t imaged the Cone before, so I think this winter I will make a point of imaging it in it’s own right, and then I can re-use it to make a much more interesting version of this image with a much better background. Fun times! C&C welcome as always. And thanks for looking! ? Edit: Decided to make a few changes, so here's v2:
  14. Update 16th June: I could not wait to tell people that I was just notified that my image of Omega Centauri will be published as a future NASA's Astronomy Picture of the Day ( APOD ) - my first ever I will update the thread when they publish. ................................. A deep look at Omega Centauri ( NGC 5139 ) This image is an attempt to look deeply into the the Omega Centauri globular cluster by using HDR techniques to record as many faint stars as I can whilst retaining colour and detail in the bright stars, including at the core ... ............. Reprocessed to bring out more faint stars and to produce a smother transition between brightness levels. New version ( 12 June 2017 ): Omega Centauri ( NGC 5129 ) ( please click / tap on image to see lager and sharper ) .......... Old version: Omega Centauri ( NGC 5129 ) ( please click / tap on image to see full size and sharper ) Image details: from www.nova.astrometry.net: Size: 58.6 x 39 arcmins, Centre: 13h 26 min 50.4 sec, -47deg 28' 39.1''. Orientation: up is -89.9 East of North ( ie. E^ N> ). Telescope: Orion Optics CT12 Newtonian ( mirror 300mm, fl 1200mm, f4 ). Corrector: ASA 2" Coma Corrector Quattro 1.175x. Effective Focal Length / Aperture : 1410mm f4.7. Mount: Skywatcher AZ Eq6 GT. Guiding: TSOAG9 Off-Axis-Guider, Starlight Xpress Lodestar X2, PHD2 . Camera: Nikon D5300 (unmodified) (sensor 23.5 x 15.6mm, 6016x4016 3.9um pixels). No filter Long Exposure noise reduction off Location:. Blue Mountains, Australia. Moderate light pollution ( pale green zone on darksitefinder.com map ). Capture: 9 sets of sub-images with exposure duration for each set doubling ( 1s to 240s ) all at ISO800. Processing:. Calibration: master bias, master flat and no darks. Integration in 9 sets. HDR combination. Pixinsight May 2017
  15. Barred Spiral Galaxy NGC 6744 in Pavo NGC 6744 is a Milky Way like barred spiral galaxy in the constellation Pavo. Visible only from lower latitudes, the light we see now left this galaxy around 30 million years ago. Details: Spiral Galaxy NGC 6744 in Pavo. Skywatcher Quattro 10" f4 Newtonian telescope. Skywatcher AZ Eq6 GT Mount. Orion 80mm f5 guide scope and auto guider - PHD2. Baader MPCC Mark 3 Coma Corrector, no filter. Nikon D5300 (unmodified). Field of view (deg) ~ 1.35 x 0.90. ISO800, 14bit NEF, Long Exp. NR on. 44 x 120sec 4th Sept 2016 Processed in PixInsight and finished off in Photoshop. Links: https://500px.com/MikeODay http://photo.net/photos/MikeODay
  16. The Silver Coin Galaxy ( NGC 253 ) in the Sculptor constellation - updated. 24th March 2017: New version that was reprocessed ( again ) to improve colour balance ... original version below ( colours are a little too yellow ) ( click on image to see full size ) The Silver Coin Galaxy ( NGC 253 ) in the Sculptor constellation ( aka the Silver Dollar or Sculptor Galaxy ). Caroline Herschel in 1783 was the first to recordthis bright ‘nebula’ in an area of the southern sky that Nicolas de Lacaille had called the “Apparatus Sculptoris” or “the sculptor’s studio”. Whilst relatively close to us compared to the billions of far more distant galaxies in the Universe, the great size of the “Sculptor Galaxy” and the huge distances involved are still hard to comprehend. To put this into some perspective, the light that is just now reaching one edge of the great disc left the opposite edge when the Earth was in the grip of last great Ice Age 70,000 years ago and the light we now see has been travelling towards us for over 11 million years. Details: NGC 253 - "Silver Coin" or "Sculptor" galaxy. RA 00 48 23, DEC -25 11 52. Skywatcher Quattro 10" f4 Newtonian telescope. Skywatcher AZ Eq6 GT Mount. Orion Short Tube 80mm guide scope & auto guider - PHD2. Baader MPCC Mark 3 Coma Corrector & no filter. Nikon D5300 (unmodified). Field of view (deg) ~ 1.35 x 0.90. 20 x 180 sec ISO 800, long exp noise reduction on. Pixinsight & Photoshop. 4th November 2016 updated version 17 March 2017
  17. The Eagle Nebula Messier 16 ansd Open Cluster NGC 6611 in the constellation Serpens. ( click on image to see larger ) M16 is around 7,000 light years distant from Earth in the Sagittarius-Carina spiral arm of our Milkyway galaxy and may be part of a larger structure that extends to and includes the Omega Nebula ( M17 ) in Sagittarius. Details: Eagle Nebula - Messier 16 ( IC 4703 ), Open Clusters - NGC 6611 and Trumpler 32. RA ~ 18h 19'm45s Dec ~ -13deg 46' 20" Skywatcher Quattro 10" f4 Newtonian telescope. Skywatcher AZ Eq6 GT Mount.Orion 80mm f5 guide scope and auto guider - PHD2. Baader MPCC Mark 3 Coma Corrector, UHC-S 'nebula' filter. Nikon D5300 (unmodified). Field of view (deg) ~ 1.35 x 0.90. ISO800, 14bit NEF, Long Exp. NR on. 35 x 180sec (1/3 before & 2/3 after zenith) 17 July 2015. PixInsight re-processed 21 Aug 2016.. Links: https://500px.com/MikeODay http://photo.net/photos/MikeODay
  18. Hello fellow gazers... I started shooting this one back on Feb 20, when i grabbed 11 x 1200s of Ha subs. 4 of the 11 were not of great quality, due to some light intermittent clouds, but i included them anyway in the stack (such is the trust i place in APP's 'Quality' algorithm). Then on March 3 i finally got another clear night, so while i waited for the sports facilities floodlights to switch off, i grabbed a short set of 20 x 90s RGB subs (just the D5300 with no filter) so i could use them for RGB stars. Then afterwards managed to grab 12 x 1200s of OIII subs. It's been a busy month (house move coming up) so i've only just got around to looking at it now. Processing this one has been a challenge. I wanted to push it hard, to show up some of the nebulosity that sits between the two nebulae, which meant the sky background became an utter pain to deal with. It was noisier than i would like, and still is, hence the need to use more noise reduction than i would normally. Having the stars in a separate layer is great, makes processing so much simpler. It has also improved my workflow i think, as i now tend to end up with an image that has 3 layers, Luminance, Colour, and Stars, rather than a single layer (which i sometimes would, due to laziness!). So now it's easier to go back and fix something later if i decide i don't like it. Full details: 11 x 1200s Ha (2" Baader mounted) 12 x 1200s OIII (2" Baader mounted) 20 x 90s RGB (for stars only) Nikon D5300 (modded) SW 80ED w FF/FR HEQ5-Pro Captured with SGP, pre-processed in APP, post-processed in PS. Ha assigned to Red, OIII to Blue, and Green was synthesized using one of Noel Carboni's actions in PS. I probably spent a good 10 hrs processing this one. Mostly due to trying to create a starless Ha image that was as clean as possible (which was a major PITA i must say!). Also, while the OIII signal was stronger than i was expecting for the tadpole nebula, it was unbelievably weak in the Flaming Star nebula. All i could get, after extreme stretching, was a small blob around the central section, so i gave up on the idea of using Annie's 'Hubble Palette Creation' Action and just went with a Bi-Colour approach. I might try the Hubble Palette just on the tadpoles at a later date, it should take to it much better. This one felt like a struggle, so i'd be grateful for any C&C, no matter how harsh. I think i have a tendency to go 'too far' in my processing, and i might well have done so here. Let me know what you think! Cheers!
  19. Update: 3rd June Re-processed to remove slight magenta tint caused by the non-uniform removal of light pollution by the DBE process ( it was being fooled by the very bright image centre ). The globular star cluster Omega Centauri ( NGC 5139 ) in Centaurus ( please click / tap on image to see larger and sharper ) A full size image can be found here. original below ..... A newly captured ( May 2018 ) image of the great southern globular star cluster, Omega Centauri ( NGC 5139 ) Omega Centauri ( NGC 5139 ) in Centaurus - ( please click / tap image to see larger and sharper ) A full size ( ~ 6000 x 4000 ) image can be found here ....... This image is an attempt to look deeply into the mighty Omega Centauri star cluster and, by using HDR techniques, record as many of its faint members as possible whilst capturing and bringing out the colours of the stars, including in the core. Image details: Resolution ........ 0.586 arcsec/px ( full size image ) Rotation .......... 0.00 deg ( up is North ) Focal ............. 1375.99 mm Pixel size ........ 3.91 um Field of view ..... 58' 20.9" x 38' 55.1" Image center ...... RA: 13 26 45.065 Dec: -47 28 27.26 Telescope: Orion Optics CT12 Newtonian ( mirror 300mm, fl 1200mm, f4 ). Corrector: ASA 2" Coma Corrector Quattro 1.175x. Effective Focal Length / Aperture : 1470mm f4.7 Mount: Skywatcher Eq8 Guiding: TSOAG9 Off-Axis-Guider, Starlight Xpress Lodestar X2, PHD2 Camera: Nikon D5300 (unmodified) (sensor 23.5 x 15.6mm, 6016x4016 3.9um pixels)\ Location: Blue Mountains, Australia Moderate light pollution ( pale green zone on darksitefinder.com map ) Capture ( May 2018 ) 8 sets of sub-images with exposure duration for each set doubling ( 2s to 240s ) all at ISO 250. Processing: Calibration: master bias, master flat and master dark Integration in 8 sets HDR combination Pixinsight May 2018
  20. Galaxy NGC 4945 in Centaurus Details: Galaxy NGC 4945 in Centaurus 19 May 2018 Orientation: North is up Telescope: Orion Optics CT12 Newtonian ( mirror 300mm, fl 1200mm, f4 ). Corrector: ASA 2" Coma Corrector Quattro 1.175x. Effective Focal Length / Aperture : 1470mm f4.7\ Mount: Skywatcher EQ8 Guiding: TSOAG9 Off-Axis-Guider, Starlight Xpress Lodestar X2, PHD2 Camera: Nikon D5300 (unmodified) (sensor 23.5 x 15.6mm, 6016x4016 3.91um pixels) image Plate Solver script version 5.0 =========== Resolution ........ 0.586 arcsec/px Rotation .......... North is up Focal ............. 1375.43 mm Pixel size ........ 3.91 um Field of view ..... 43' 27.2" x 28' 54.2" Image center ...... RA: 13 04 51.790 Dec: -49 30 37.17 ========== Location: Blue Mountains, Australia Moderate light pollution ( pale green zone on darksitefinder.com map ) Capture ( 19 May 2018 ): 10 sets of sub-images with exposure duration for each set doubling ( 1/2th sec to 240 sec ) all at ISO250. ( 41 x 240sec + ~8 each forthe other durations ) Processing: Calibration: master bias, master flat and master dark Integration in 10 sets HDR combination Pixinsight May 2018
  21. Hey guys Having been inspired by everyone else's fine images of M81 & M82 recently, i decided to go back and re-process my shallow stack of the same objects. I shot this back in early Feb, and at the time only decided to swing the wee 80mm scope around to it after my main target for the night (the Rosette Nebula) had disappeared behind the neighbour's house, so i wasn't able to go deep on it. I haven't bothered to return to it since, but i was never fully satisfied with the processing on it (even though it can obviously only be taken so far, given the short FL and exposure) so i decided to have another go (plus the weather's been crap recently!). I'm much happier with the star colours and background now (at least to my eye) and i seem to have eeked out a bit more detail in the galaxies themselves, especially in the jets of M82, where i was able to stretch the Ha data a lot more before blending together a mix of it and the Red channel from the RGB data. Although in hindsight i may have gone too far with the sharpening in M82. Be interested to hear what you guys think. If i was going to add more data to this, i would definitely prioritise the RGB over the Ha (i think i need a much bigger scope to properly shoot Ha on this). Oh yes, and try to remember to shoot at ISO 200 next time, and not 800! lol. Here's the new version: And here's the original: And finally, here's a crop of the new version, just to display the galaxies a bit bigger:
  22. Hi, Request: Can someone with a Nikon D5300 upload a couple of RAW Dark frames, preferably of 120secs or longer duration, and if possible with the approximate ambient temperature when shot?? Reason: I am considdering finding a used Nikon D5300 for astrophotography instead of my wifes D7100. The consensus around the web is that the D7100 and it's Toshiba sensor has really bad dark current noise, particurlarly when doing longer subs. This fits nicely with the results im getting after having cranked up the sub length, it is REALLY bad. I would like to compare the darks of my D7100 to those of a D5300 as it is supposedly one of the best "entry level" DSLR's when it comes to sensitivity and low noise. Thank you in advance.
  23. Finally managed to add some proper Ha to the previous version (which was a noisy mess of a thing!), so this is now: 7 x 600s and 14 x 900s (4 hrs 40 mins) of Ha 17 x 900s (4 hrs 15 mins) of OIII SII synthesized using a blend of 60% of Ha and 40% of OIII Nikon D5300a 2" Baader filters Skywatcher 80ED Skywatcher HEQ5 Pro 50 Bias and 30 Flats Guided with PHD2 and a finder-guider (QHY5) Captured with SGP Pre-processed in APP Post-processed in PS The extra Ha data has made a massive difference. So this one was much easier to process. Still not completely happy with the colours, I may tweak them a bit at a later date. But for now I think I'm pretty much done with this target, time to move on to a new one methinks! C&C welcome as always. Clear skies! https://flic.kr/p/GBb38M
  24. From the album: Mike's Images

    Blue Moon - 31st July 2015 Skywatcher Quattro 10" f4 Newtonian ("full moon" dust cap in place). Skywatcher AZ Eq6 GT Mount Orion 80mm f5 guide scope and auto guider - PHD2. Baader MPCC Mark 3 Coma Corrector, UHC-S 'nebula' filter. Nikon D5300 (unmodified). ISO200, 14bit NEF, Long Exp. NR off. 487 sub exposures @ 1/50th Subs taken over 45min period covering Full Moon @ 10:42 UT (8.42pm local time). Processed using Registax and Photoshop

    © Copyright Mike O'Day 2015 - all rights reserved

  25. Also known as the Theta Carinae Cluster, The Southen Pleiades is a very bright open cluster in the Carina constellation. It was discovered by Abbe Lacaille during his visit to South Africa in 1752. Containing around 60 stars, IC 2602 shines with an overall magnitude of 1.9 and its brightest member is Theta Carinae with a visual magnitude of 2.7. This cluster of young blue stars is relatively close to us at "only" 479 light years. 5 May 2018 The Southern Pleiades ( IC 2602 ) in Carina ( please click / tap on image to see larger and sharper ) ......... Image details: Orientation: North is up Telescope: Orion Optics CT12 Newtonian ( mirror 300mm, fl 1200mm, f4 ). Corrector: ASA 2" Coma Corrector Quattro 1.175x. Effective Focal Length / Aperture : 1470mm f4.7 Mount: Skywatcher EQ8 Guiding: TSOAG9 Off-Axis-Guider, Starlight Xpress Lodestar X2, PHD2 Camera: Nikon D5300 (unmodified) (sensor 23.5 x 15.6mm, 6016x4016 3.91um pixels) Location: Blue Mountains, Australia Moderate light pollution ( pale green zone on darksitefinder.com map ) Capture ( 5 May 2018 ): 14 sets of sub-images with exposure duration for each set doubling ( 1/30th sec to 240 sec ) all at ISO250. ( 22 x 240sec + at least 10 each forthe other durations ) Processing: Calibration: master bias, master flat and master dark Integration in 14 sets HDR combination Pixinsight May 2018
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