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clarkpm4242

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Everything posted by clarkpm4242

  1. Beautiful @ollypenrice! What is the exposure info? I am keen to redo M45 with my RASA 8/ ASI2600 combo. Thank you. Paul
  2. Yes, this one @davew ! Decided on a small reprocess and to crop out a big distorted Mars. About a five hour journey. Have been well over a dozen times. It is a middle point for a loose group of astro friends. I love it! Can be a tad wet, plenty of opportunity for reflections! Well worth a visit for a combination of day and night activities. Is darker than Yorkshire Dales. Forgot to mention the Twix, Yorkie and Double Decker consumption Paul
  3. ...astro weekend. A mix of images taken between clouds, fog and rain. A light painted Nantgwyllt Church: early evening and a new wood sculpture. Finally the Garreg Ddu dam/reservior (ambient light). All Canon 6D MkII and Sigma 24mm. Combination of Lightroom, Sequator and Photoshop. Cheers, Paul. (much better when clicked...)
  4. I do like the new NGC891 and cluster pic. I am still experimenting with Star/NoiseXterminator combo. Usually duplicate the star layer (colour dodge blend) to get a greater star presence and haven't got the noise reduction balance sorted yet. Sometimes its just too smooth... ...starless processing is a revolution, especially with the RASA 8! Cheers, Paul.
  5. Early to bed and 01.00 alarm to grab available clear and moonless sky this morning. 65 x 120s, plus flats. RASA 8 and ASI2600 MC. Deep Sky Stacker and Photoshop with full suite of Russell Croman plugins. Happy with this. Paul.
  6. Had my RoR observatory for 2 years now. Still very, very pleased. Paul.
  7. Monday night. Clouds just cleared enough as the moon rose. SIngle sky, 5 lit foreground. Combined through lighten blend mode layers in Photoshop. Canon 6D MkII, Sigma 24mm. Mallerstang. Cheers, Paul.
  8. Nice composition. Am finding streams/gills/becks are getting a tad too challenging nowadays, especially solo.
  9. The only problem with these is that they don't feature me and my partner Both excellent images. They must be special to you. Paul
  10. So well put!! Guessing this will be large scale on a wall soon!! Hope I get to experience similar one day Cheers, Paul P.S. I presume the individual pano frames were in portrait mode?
  11. I particularly like the lack of human light pollution in this scene! Well balanced ambient foreground Paul
  12. 'To start with'!!! Lovely write up, and of course gorgeous, gorgeous pictures. So good to see them on a large screen Thank you @FenlandPaul !
  13. About 23.15 Sunday evening from Swaledale, N. Yorkshire. Obvious coloured beams as I turned off the car lights. had eased off by the time I got the camera set up... ...processed for impact. The colour was very pale. Paul. P.S. I see the video can be downloaded.... Project 4 avi.avi
  14. The Nikon Z6 does well with ambient foregrounds, in the right hands. My Canon has an iso-variant sensor and is one of the reasons for the light painting I'm doing. Hope you get more opportunities this season! Paul
  15. @davew thank you Dave. Appreciated. Light on 100% with longer exposure and higher iso than usual. An approach track on a down slope. Helped reduce converging verticals Its such a great structure that I wanted it to be the BIG feature in the image. Cheers, Paul.
  16. ...in remote Weardale last Saturday. Weather forecast was good for ~4 hours so made the effort to get away from my local patch. This is the result of the only clear spell (10 mins) at the onset of dark... ...composition was somewhat rushed! Sky 8 x 10s, f2.5, iso2500, single light painted foreground 13s, f3.5, iso1600. Stacked in Sequator and combined using lighten blend mode in Photoshop. Cheers, Paul. P.S. Click...
  17. Yep! @maw lod qan also usefully hides light pollution. Cheers, Paul.
  18. ...a.k.a. Big Dipper glows through clouds above Old Gang Smelt Mill. Last Friday. Single sky image. ~6 light painted foreground. Canon 6D MKII, Sigma 24mm. Photoshop layers, layer masks and lighten blend mode to combine images. The clouds really make the asterism stand out. Cheers, Paul.
  19. ...two from August 30th. Both using static tripod and Sequator for stacking sky exposures blended with light painted foreground exposures in Photoshop. Pendragon Castle, bit of an ordeal as there is a big ditch/moat to navigate. The rock beds on the River Swale...composition hasn't really worked however it was fantastic in the middle of the flowing water under the stars Paul PS Canon 6D MkII, Sigma 24mm. Clicks for optimum viewing.
  20. Thank you Dave! I like the rather surreal feel on this one. Paul
  21. 10 min gap in the clouds. Single sky, ~5 light painted foreground. LR and PS. Canon 6D MkII and Sigma 24mm. Cheers, Paul.
  22. Have you looked at Alyn Wallace, Richard Tatti, John Rutter on YouTube, there are many others - search for 'editing Milky Way in Photoshop' or app of your choice.
  23. @900SL I have also thought about a wedge wedge 🙂 its not been something I've needed so far. I have taken out all other aspects of play/flex in the system. I'm really trying to keep the weight down but there is that trade off with stiffness.
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